SD PHOTOGRAPHY DRAWINGS / PAINTINGS / SCULPTURE DESIGN OTHER ABOUT / CONTACT

SOPHIA DIMATTEO

analog + alternative process photography | camera design + construction | graphic + 3D design | sculpture | drawing | painting | printmaking

PHOTOGRAPHY

These photos were all taken in homemade cameras, ranging from cardboard box pinholes to various foamcore/cardboard/found-object 4x5 cameras. Most photos were shot on direct positive paper, and some on sheet film then printed by cyanotype or traditionally in a darkroom. I am fascinated by the combination of simplicity and precision in capturing light and forming images, and view the cameras themselves as part of my art just as much as the photos that come out of them.

PINHOLE
Andy | 3.5x3.5”, direct positive paper pinhole exposure, 3 min, 2021
Cole | 3.5x3.5”, direct positive paper pinhole exposure, 3 min, 2021
Pin-up Machine | 3.5x3.5”, direct positive paper pinhole exposure, 4 min, 2021
Walking the Dogulus Alternis- portrait of a life-size painting | 3.5x3.5”, direct positive paper pinhole exposure, 3 min, 2021

Crossroads Beast | 4x5”, direct positive paper pinhole exposure, 2024

Tuba Bird | 8x10”, silver gelatin print, 2023
Addison/He With Tree | 5x7”, silver gelatin print, 2023
Mama | 5x5”, silver gelatin print, 2023
4 x 5
Tabitha | 4x5”, direct positive paper (shot in cardboard camera with magnifying glass lens), 2022
Jenna | 4x5”, direct positive paper (shot in cardboard camera with magnifying glass lens), 2021
Ben | 4x5”, direct positive paper (shot in cardboard camera with magnifying glass lens), 2022
Aggy | 4x5”, direct positive paper (shot in cardboard camera with magnifying glass lens), 2022
Skull | Tea toned cyanotype (from film negative shot in cardboard 4x5 camera with magnifying glass lens), 2022
Old Time | 4x5”, direct positive paper photo (shot in cardboard camera with magnifying glass lens), 2022
Sleep With Us | 4x5”, Tea toned cyanotype (from film negative shot in frankenstein 4x5 camera with magnifying glass lens), 2022
Audj | 4x5”, Cyanotype (from film negative shot in cardboard 4x5 camera with magnifying glass lens), 2022
CAMERAS
Foam core 4x5 camera, accepts 4x5 film holders. Features a ground glass and a magnetic lens cap/shutter. Like my first attempt in cardboard, a dollar store magnifying glass was used. The aperature is changeable by sliding cards with varying aperature diameters into a slot behind the lens, and the focus is controlled by sliding the inner and outer boxes closer together/farther apart.
2022 design: tape reinforced cardstock bellows, plywood lens board, and repurposed enlarger shutter. Lens is a double-convex magnifying glass.
Precision drilled pinhole built into a cardboard box, back accepts ground glass and film holders, shutter uses a spring and is made from piano pieces. 2023.
Frankenstein camera, an old folding Kodak I restored and built an adapted back to take 4x5 sheet film. 1920+2022.

DRAWINGS + PAINTINGS + SCULPTURE


Crouching Beast | 30” x 33”, acrylic painting on unstretched canvas mounted to board, 2023
Flying Beast | 64” x 40”, acrylic painting on unstretched canvas mounted to board, 2024. <br>  based on the <em>Spotted Lepidome</em>  beast in GennaRose Nethercott's book <em> 50 Beasts to Break Your Heart</em>
Crossroads Beast | 35” x 38”, acrylic painting on unstretched canvas mounted to board, 2024. <br> based on the <em>Sorbis</em>  beast in GennaRose Nethercott's book <em> 50 Beasts to Break Your Heart</em>
Still Life with Papier Mache Fruits, 2024
Papier Mache, 2024
Papier Mache, 2024
Papier Mache, 2024
Nina's Mouth | Acrylic painting, 2012

Page from a comic | Ink pen drawings, 2022
Comic Draft | Pencil, 2017
Accordion Player | Linocut print, 2021
Somethingscape | 5.5” x 12”, Toned Cyanotype, 2023

DESIGN


Show poster incorporating an original linocut print, 2023
Sample illustrations for an original deck of cards, personal project, 2021
Custom Fuzz Pedal Artwork, 2024
An example of a product with a technical part drawing.
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ABOUT

Sophia DiMatteo | they/them | 818.324.9455 | sofiadimatteo@gmail.com | CV

hi I grew up in Los Angeles, graduated from UC Santa Cruz with a BA in the History of Art and Visual Culture in 2017, and live in Vermont. My work is focused in experimental alternative process photography and printing, constructing cameras, papier mache sculpture, and collaborative installation/performance. I am interested in thinking through the technical processes of how the objects around us come to be, which is why I'm drawn to camera building, sculpture, and design for production.

In an age of rampant false information and the rise of imagery created by Artificiall Intelligence, I am drawn to using analog processes and practical effects to play with the idea of authenticity and truth. I enjoy creating alternate realities by making papier mache objects that mimic reality but clearly differ from it, making paintings of fantastical creatures that can be staged in the environment, and using photography as a means to document our current reality and make imagined realities concrete.

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