SOPHIA DIMATTEO 3D WORK "2D" WORK PHOTOGRAPHY MUSIC OTHER ABOUT / CONTACT

3D


Wavy Banana | 18x12x10in, papier mache sculpture with acrylic paint, 2025.
Wavy Banana | 18x12x10in, papier mache sculpture with acrylic paint, 2025.
Tripplet Banana | 12x10x6in, papier mache sculpture with acrylic paint, 2025.
Tripplet Banana | 12x10x8in, papier mache sculpture with acrylic paint, 2025.
Crown Banana | 12x12x10in, papier mache sculpture with acrylic paint, 2026.
Curly Banana | 19x8x8in, papier mache sculpture with acrylic paint, 2025.
Tripplet Banana | 14x10x10in, papier mache sculpture with acrylic paint, 2026.
Tripplet Banana | 14x10x12in, papier mache sculpture with acrylic paint, 2026.
Crown Banana | 12x12x10in, papier mache sculpture with acrylic paint, 2026.
Still Life with Papier Mache Fruits, 2024

2D


WORK IN PROGRESS!!! (UNFINISHED!) Pile | Oil on paper, 2026
Crouching Beast | 30” x 33”, acrylic painting on unstretched canvas mounted to board, 2023
Crossroads Beast | 35” x 38”, acrylic painting on unstretched canvas mounted to board, 2024. <br> based on the <em>Sorbis</em>  beast in GennaRose Nethercott's book <em> 50 Beasts to Break Your Heart</em>
Meatball Family | 20x30in - 10x20in, acrylic painting on unstretched canvas mounted to board, 2024.
WORK IN PROGRESS!!! (UNFINISHED!) The Landlords | Acrylic with paper and fake grass on unstretched canvas, 2026
Page from a comic | Ink pen drawings, 2022
Softscape | 5.5” x 12”, Toned Cyanotype, 2023
Flying Beast | 64” x 40”, acrylic painting on unstretched canvas mounted to board, 2024. <br>  based on the <em>Spotted Lepidome</em>  beast in GennaRose Nethercott's book <em> 50 Beasts to Break Your Heart</em>

PHOTOGRAPHY

These photos were all taken in homemade cameras, mostly straight onto direct positive paper or sheet film.

Andy | 3.5x3.5”, Pinhole exposure on direct positive paper, 3 min, 2021
Cole | 3.5x3.5”, Pinhole exposure on direct positive paper, 3 min, 2021
Pin-up Machine | 3.5x3.5”, Pinhole exposure on direct positive paper, 4 min, 2021
Walking the Dogulus Alternis- portrait of a life-size painting | 3.5x3.5”, Pinhole exposure on direct positive paper, 3 min, 2021

Crossroads Beast | 4x5”, Pinhole exposure on direct positive paper, 2024

Tuba Bird | 8x10”, Pinhole exposure on sheet film, silver gelatin print, 2023

He With Tree | 5x7”, Pinhole exposure on sheet film, silver gelatin print, 2023

Tabitha | 4x5”, direct positive paper (shot in cardboard camera with magnifying glass lens), 2022

4x5”, direct positive paper (shot in cardboard camera with magnifying glass lens), 2021

Mama | 5x5”, Pinhole exposure on sheet film, silver gelatin print, 2023

Crouching Snow Beast | 4x5”, Pinhole exposure on direct positive paper, 2024

self portrait diptych | 1.5 x 2.5” each, Pinhole exposure on darkroom paper, digitally inverted, 2025
OTHER ALTERNATIVE-PROCESS PRINTS
Fish | 8x10”,  gold toned Salt Print, 2026
Motel | 8x10”,  gold toned Salt Print, 2026
Birthday? | 8x10”,  gold toned Salt Print, 2026
Dogsled Brokdown |  8x10”,  Salt Print, 2026
Wilder Cemetery | 4x5”, Toned Cyanotype (contact printed from 4x5 cardboard camera film negative), 2023
Danger Shed | 3x4”, Cyanotype (contact printed from 4x5 pinhole film negative), 2022
Skull | Tea toned cyanotype (from sheet film negative shot in cardboard camera with magnifying glass lens), 2022
Sleep With Us | 4x5”, Tea toned cyanotype (from sheet film negative shot in cardboard camera with magnifying glass lens), 2022
Audj | 4x5”, Cyanotype (from film negative shot in cardboard 4x5 camera with magnifying glass lens), 2022
(SOME) CAMERAS
Foam core 4x5 camera, accepts 4x5 film holders. Features a ground glass and a magnetic lens cap/shutter. Like my first attempt in cardboard, a dollar store magnifying glass was used. The aperature is changeable by sliding cards with varying aperature diameters into a slot behind the lens, and the focus is controlled by sliding the inner and outer boxes closer together/farther apart.
2022 design: tape reinforced cardstock bellows, plywood lens board, and repurposed enlarger shutter. Lens is a double-convex magnifying glass.
Precision drilled pinhole built into a cardboard box, back accepts ground glass and film holders, shutter uses a spring and is made from piano pieces. 2023.
first pinhole camera, made of things in the recycling bin. 2022.


ABOUT

Sophia DiMatteo | they/them | sofiadimatteo@gmail.com | CV

hiSophia (b.1995, Los Angeles) is a mixed media artist blending alternative-process photography, painting, and sculpture to play with what is "real" vs "fake” by creating objects and images that destabilize the idea that what we see in front of us represents what is real.

There isn’t always a clear line between each artwork– pieces often get reincorporated into themselves and each other in an iterative process as sculptures grow into multiples, paintings are cut out of their canvases and stand on their own, and both often become the subjects of photographs captured in homemade cameras that are themselves sculptures.

Sophia holds a BA in the History of Art and Visual Culture from UC Santa Cruz (2017), and lives in Vermont where they have a studio above a public darkroom.

Other projects include making sounds in Me Pretty and Achoo, and activity in the dust collective known as Vacuum Capital.

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